Blog 3

B

For Better lives I chose Navigating through Clothing, as I have always been curious about the boundaries between fashion styling and costume, and felt this was an opportunity to involve myself in something I wouldn’t usually have the chance to, and to investigate the differences further. Although at first I struggled to directly link the research for this project to the themes, I did find it interesting how factors that play into such themes as diversity, sustainability and power can be translated to something as simple as the story of Hansel and Gretel. In Hansel and Gretel the two children, neglected and starving, are deceived by the all-powerful witch, lured into her candy home and entrapped and manipulated for her own gain (dinner!) It is interesting to interpret such explicit shows of power hierarchies and manipulation within the story, and relate them to the world of power and advertising that I researched prior to the initial lectures.

The more I researched public relations and power structures that we are all implicit in the more I realized the all-encompassing nature of it;  how much we cannot understand, how difficult it is to really see the bigger picture when it surrounds us almost entirely. So much of our lives, from what we eat to what we wear to where we go, what we think of certain public figures, what music we listen to, is impacted on a subconscious level by what we consume daily. The news we see on timelines and the telly is filtered and curated to fit particular needs, our social media timelines shaped to show us what we want to see, to boost success of the corporation.  It’s so easy to see these patterns and tropes in stories, but so difficult in real life.

The more I learnt about translating ideas to stories or applying concepts to characters, the more I began to appreciate storytelling as a means of making information digestible. I decided on the witch as the character for my project, and wanted to play on the idea of deceit and of hiding your true intentions that I found to be prevalent in both the story of Hansel and Gretel and in the lectures that affected my research the most. Here the witch becomes a carrier for the ideas of mass media control and the subliminal messaging that surrounds the modern human.  

During the outbreak of COVID-19, where ‘sympathetic’ corporate messages are plastered everywhere every minute encouraging trust and compassion from consumers as companies are “here to support us during these difficult times”, the idea of something falsely inviting and warm, as the witch so blatantly is, seemed particularly relevant. With her towering, uncanny valley-esque camouflage of badly rendered flesh and realms of soft candyfloss hair, overtly sweet in sprinkles cream and gummy toothed smile, the witch forces herself into an inviting form to tempt, lure and exploit the children. Like her candy house she is built to evoke an empty sense of security. She isn’t a human of course, and she only wants to eat Hansel and Gretel really, but she is half convincing and that is enough for the hungry children.

Liked Liked
1 Comment