Blog 3, Project Outcomes and Personal Development

Throughout the Better Lives unit, Contemporary Portrait Photography, I have learnt a wide array of new skills and developed on previously existing ones. Despite already having a background within photography itself, I have strengthened my knowledge on portraiture artists, technical skills and different ways to portray modern-day issues within my own work. In this sense, this specifically has developed my skills in relation to the Better Live’s theme of Social Responsibility.

One area I would like to highlight is that of the incredible lecturers we have had the opportunity to be taught by. Danny Treacy and Mark Kean are two photographers who have truly inspired me with their unique and original ideas, which are depicted throughout their photography work. One topic area that I was fascinated by was Danny Treacy’s ‘Them’ project; Treacy went into the river Thames in low tide to find items ranging from clothing to human bones from the Roman era. He then styled these garments on a plain dark background, with the model’s face covered. This project ‘investigates the precariousness and vulnerability of the forgotten and the voiceless while conjuring up images of the fantasized other, in other words, the monster… disappearing entirely under the assembled clothes, he relinquishes all form of individual representation in favour of haunting archetypal images.’ (Ref 1) To touch on this lightly, I found this very inventive and thought it linked rather well to the better lives’ themes of social responsibility and diversity, as the artist is bringing attention to the forgotten which includes clothing from all eras and backgrounds, thus making the finished outcome diverse. The sustainability aspect comes from the sourcing of the garments from the river Thames, as Treacy is fundamentally helping the environment by removing these items from the water and means that the cost of styling was little if not nothing.  

Treacy, D., 2019. Them. [image] Available at: <http://www.dannytreacy.com/selected-works/them/> [Accessed 1 May 2020].

Mark Kean opened my eyes to film photography. Although I had a strong interest in this topic area, Kean educated us all on aperture, shutter speed and other technical aspects of film photography. In more depth, I was enlightened by his previous editorial work for key magazines such as interview magazine, the gentle woman etc. One project I draw inspiration from is a recent commission for Fantastic Man. Kean’s work here draws attention the way in which surroundings can alter the theme of an image or draw emphasis to certain stylistic features. 

Kean, M., 2019. Fantastic Man. [image] Available at: <https://www.artlistparis.com/photography/mark-kean/editorial/fantastic-man-jodie-barnes> [Accessed 1 May 2020].

I have found this course very eye-opening and it has most certainly changed the way I work. In my most recent self-portrait, I enlisted everything I had learned and am very pleased with the outcome. Due to the current covid-19 isolation situation, I found post-production very important; by exaggerating certain features such as the contrast from the blue tones to the orange hues, it made for a more pop-art effect which was my end goal. Also, the course has allowed me to make the most of surroundings and limited tools- this is brought to life through the final outcome as primarily all that was available was a small blue background, one orange and limited garments.  

Morris, H., 2020. Self Portrait. [image].

Ref 1, Treacy, D., 2020. Essays – Danny Treacy. [online] Dannytreacy.com. Available at: <https://www.dannytreacy.com/writing/essays/> [Accessed 1 May 2020].

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